Daddy, you still love me, don't you? (Marina Soloyan, 2025). Arev, a 19-year-old student, visits her family during vacation. One morning, her father suddenly disappears without a word. As the family begins blaming one another, Arev sets out on her bicycle, retracing her father's usual paths through fields and mountains. Along the way, she reflects on her father's pain, the tense family dynamics, and her own growing sense of loneliness. The question haunts her: “Dad, do you still love me?” Her search for her father becomes a deeper journey to understand fatherhood and human connection. Along the way, she discovers three signs that give her hope he may return.

Motherland (Gor Arushanyan, 2025). The Nagorno-Karabakh Republic is about to cease to exist. The radio has reported the news, dark smoke can be seen in the distance and a series of shots and explosions can be heard. A small village hidden in the mountains is almost deserted now, only some forsaken dogs can be heard barking. Aram, a former soldier, has stayed behind and he is trying to convince his disabled mother to leave. However, the apathetic woman does not respond to his efforts and seems resigned to her fate. The Azerbaijani army is getting closer and Aram will soon have to make a difficult decision.

The land of Sun (Ruby Mardirossian, 2024). Even though Shamshadin means "The land of Sun" fogg is consistently visiting this small region on the border of Armenia and yet it's villagers continue to be as solid as its mountains and as bright as its sun.

Before they joined us (Archile Egoyan, 2025).The manifest danger a young Taline escapes during the Lebanese Civil War is subsumed by the psychological threat of the end of the world as predicted by her aunts in Montreal, Canada.